bills and buying time to write fiction with the well-paid film work. And I have to say, 'Yes. In a 1972 essay for Esquire on the agonies of being flat-chested one of a series of funny, personal pieces with which she made her name Ephron described her mothers bracing approach to pubescence: 'I want to buy a bra, I said to my essay about playing computer games mother. My mother was really hateful about bras 'Why not use a Band-Aid instead? . The bits everyone remembers are the snappy one-liners the description of the faithless husband, Mark, as a man who would have sex with a Venetian blind, and of his lover, the preposterously named Thelma Rice, as a person who was not only a giant but. Ephron, a journalist once wrote rather disapprovingly, has built a career out of spilling secrets. This maxim informed not just her movie-making career, but her life.
She could never resist taking her own line, which got her into trouble with feminists: I have always thought it was a terrible shame that the womens movement didnt realise how much easier it was to reach people by making them laugh than by shaking. She did it herself, and with her journalism, her fiction, her films and her funny, courageous essays, she taught a generation of women young enough to be her daughters how to do it, too). Ephron was seven months pregnant with her second child when she discovered Bernsteins affair with Jay. Ephron grew up at a time when women even very clever ones were educated to be compliant. But her stubborn idiosyncrasy ripened into a sharp-edged wisdom.
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